The balance of creativity

Sometimes when we see children misbehaving we are inclined to think the worst of them. This is especially true if our energy levels are low and we have not an ounce of patience left within us. We might let an angry word slip from our mouths which we regret later.

Of course, this is not a good thing to happen. And sometimes children frustrate us. We ask for something to be done one way, someone comes back with a smart aleck comment that only saps us further of our energy when we have to explain a second time. Being around children can be draining!

It really comes down to how children decide to implement their innate creativity – whether they use it in a good way or bad way. I will suggest that the decision between using creativity in a good way – say, finding a unique solution for a problem – and using it in a bad way (to find a method for getting out of doing a task, for example) comes down to will. It is how children choose to use their creative nature, whether they have a good or bad outlet for it.

When we chastise children for being devious or calculative, we should make sure they understand we are not chastising them for who they are, but for the wrong choice they made. If a child has shown poor judgement in using their skill – applying it to bad use, for example, such as in arranging toys on the floor such that someone would trip over them, thinking it would be fun to “prank” someone, we should make sure they know why they are wrong, but not try to squeeze the talent out of them by admonishing them outright and making judgements about their character (such as using statements like “You stupid child” instead of saying “you acted stupidly”.)

Every one of us has talents that could be put to good or bad use. Problem-solving could be a good skill to have. But problem-solving put to bad use in order to weasel out of a situation, such as to pin blame on someone else, is not a good thing to do.

The Impressionist music composer Claude Debussy was by many counts, a rebel. As a Muswell Hill piano teacher tells us, Debussy failed his harmony music exams because he was always experimenting with music and sounds, instead of accepting the theoretical knowledge that was being taught. If one of his teachers had forcibly made him rein in that creativity by drilling it out of him until he complied, he would have completely eliminated that creative, experimental streak that soon gave rise to the Impressionist movement, music by suggestion rather than by explicit mention. And what a great loss to the world that would have been!

Maybe slightly entwined with a creative streak is the will to try and be open. Part of being creative is to experiment and push accepted boundaries (of course, within reasonable limit), and to try new things. If you are stuck in a rut, and have given up trying, and accept life as it is, you take fewer risks, but there are less opportunities to grow and become more inward as a person. And so when we get older we should try to risk, to extend ourselves. We can do so by learning a new skill, such as playing the piano, or basket weaving, or any other activity that involves reaching into the mental framework and shaking it up. But when I mention risk, it has to be balanced and cautious. Extend yourself, but slowly and not too far out!